In fact, I had to check to be sure I was listening to the right track with the BIAS Amp.Īgain, this is my first experience with BIAS Amp 2. My bullshit detector is not firing off the fake amp alarm. It’s not a sonic match for the original, but it is in the ballpark. BIAS Amp 2 EQ Module The BIAS Amp 2 ResultsĪt this point, I don’t hate the new guitar track.
Most of what I am missing is some air above 5k. I will engage the built-in EQ after the cab in the signal chain.
#BIAS AMP 2 STEALTH PLUG SIMULATOR#
The amp simulator needs some EQ to be more comparable. If I dial it back well below 50%, it turns back into a blend knob again and improves my tone. The “blend” knob doubles as a “suck” knob if turned to the highest setting. The result was nothing less than horrifying. I fed it the rendered solo track from Amp1 and the raw track from my DAW. I dive into the amp matching feature and attempt to “match” the Amp1. However, It isn’t even a close sonic match for the Amp1. This gives me more of the tube tone I want for this song. First up is the Preamp! I need more crunch so I set the tube stages to 3 and turn up the distortion. So, I dive into the controls and make some changes to the Jazz Clean amp.
The first immediate thing I notice is that the tone here is not even close to the BluGuitar Amp1. There is a lot to choose from here, and I am going to end up with the ’76-RC 120 Jazz Clean model. Now that I have a recorded track, I can start playing around with amps to find the one that best suits this song. And this is where the journey will start. My primary goal is to hear the raw tone from Positive Grid’s BIAS AMP 2. Once again, no pedals were used or harmed. This second take is going to be my Gibson SG plugged direct into the Apollo X6’s HI-Z input. How can you not love that tone? It would take a lot to get me to use anything else as my primary tone for recording. In my opinion, the Amp1 from BluGuitar is a stunning amp. Reaper is a great cross-platform, full-featured DAW. Listen to the original version of “Down with the Villains”, which was recorded entirely in Reaper. The Apollo did have the 1176SE limiting amplifier running on both tracks going into Reaper. No extra compression, EQ, or plugins were added to these tracks inside Reaper. My goal is a raw comparison – with as little work as possible! My Reaper Folder Bus Tracks for Guitar I will record two new takes to remove as many variables as possible. For this experiment, I am going to re-record a guitar track from Villain Corp’s song “Down With The Villains”.
This will be my first attempt at using BIAS Amp 2 for tracking a song.
Personally, I am a skeptic when it comes to amp modeling. Then in walks BIAS Amp 2 to shake things up. I started trashing the mic tracks and only keeping the BluBox tracks. The DI out from the BluBox gave me absolutely stunning results. The BlueBox from BluGuitars is a cab simulator that sits between your amp and your cab. I also bought a BluBox and added a third option for mixing. I dual-mic a cab with a Shure SM57 and a condenser mic. My preferred recording method is with a real, not virtual, tube amplifier. BIAS Amp 2 from Positive Grid claims to have captured the tone of a real amp with unprecedented realism and customization. Until the last few years, I was largely unconvinced it was possible. Since the release of Line 6’s Amp Farm, people have been searching for a simulated amp tone that is indistinguishable from the real thing.
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